Color - Medium Format
Nina in the Studio. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
The Hike In. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
The Hike In. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
The Hike In. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
The Hike In. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
The Hike In. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
Impromptu Fossil Hunt. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
Impromptu Fossil Hunt. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Gold 200.
Impromptu Fossil Hunt. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Ektar 100.
Impromptu Fossil Hunt. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Ektar 100.
Impromptu Fossil Hunt. (2024) Camera: Yashica-Mat EM. Lens: Yashinon 80mm f/3.5. Film: Kodak Ektar 100.
Photo Adventures. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Cinestill 400D.
Adina. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Portra 400.
Madame Zeroni. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Portra 400.
Near The Holy City of the Witchitas. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Fujichrome Provia 100F.
Near The Holy City of the Witchitas. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Fujichrome Provia 100F.
Near The Holy City of the Witchitas. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Fujichrome Provia 100F.
Near Jed Johnson Lake. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Fujichrome Provia 100F.
Near Jed Johnson Lake. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Fujichrome Provia 100F.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
May Fest. (2024) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
Hey look an ecosystem. (2018) Camera: Kiev 60TTL. Lens: MC Arsat 80mm f/2.8. Film: Kodak Ektar 100.
97. (2018) Camera: Kiev 60TTL. Lens: MC Arsat 80mm f/2.8. Film: Kodak Ektar 100.
Seeing Double. (2018) Camera: Agfa-Ansco Speedex B2. Lens: Agfa Anastigmat 85mm f/4.5. Film: Kodak Portra 800.
John serenading Rabbit Hole. (2019) Camera: Mamiya M645. Lens: Mamiya-Sekor C 80mm f/2.8. Film: Kodak Ektar 100.
The No Tresspassing Tracks. (2018) Camera: Mamiya M645. Lens: Mamiya-Sekor C 80mm f/2.8. Film: Kodak Ektar 100.
Warehouse Boi. (2019). Camera: Mamiya RB67 Pro-S. Lens: Mamiya-Sekor 127mm f/3.8. Film: Cinestill 50D.
Don't Worry Be Happy. (2022) Camera: Yashica 635. Lens: Yashikor 80mm f/3.5. Film: Kodak Ektar 100.
Street Lights & Leaves. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Untitled (2020) Camera: Yashica 635. Lens: Yashikor 80mm f/3.5. Film: Kodak Portra 400.
5 minutes at 2am. (2021). Camera: Yashica 635. Lens: Yashikor 80mm f/3.5. Film: Kodak Ektar 100.
Big Bertha Hill. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Trip Things. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Fujifilm Pro400H.
Sunny Leaves. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Ektar 100.
Night Moves. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Cinestill 400D.
Afternoons. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Fujifilm Pro400H.
Trip Things. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Fujifilm Pro400H.
Trip Things. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Trip Things. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Trip Things. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Powerless. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Gold 200.
Long Shadow. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Gold 200.
Dusk. (2023) Camera: Zenza Bronica ETRS. Lens: Zenzanon EII 75mm f/2.8. Film: Kodak Gold 200.
Night Movies. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.
Murial & Lauren at the art meetup. (2022) Camera: Taiyodo Koki Wardflex II. Lens: FC Biokor 80mm f/3.5. Film: Kodak Gold 200.